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If you take Mishra’s Workshop pack one, pick one, but then don’t see any spheres, it’s better to audible into an alternative strategy than try to play a shops deck that is missing key components. It’s important to remember that though you only get twenty picks, you only need roughly ten non-land cards to construct your deck. Many matches are won and lost in the draft, not in the games themselves. They also open up more creative deckbuilding and sideboarding options, as players who have prioritized fixing have the opportunity to splash for spells in different colors to shore up bad matchups.
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It too offers a tempo advantage but (usually) in exchange for card disadvantage, an even steeper cost in this environment given the small deck size. To many, Vintage Cube is the pinnacle of limited Magic — the most powerful way to draft — but it’s a far cry from constructed eternal formats. The track was also on the Dream Within a Dream Tour (2001–02), where Spears emerged from the middle of a giant music box on the stage as a ballerina, to perform the song in a medley with “Born to Make You Happy” and “Sometimes”, right after the performance of “Overprotected”. David Veitch of the Calgary Sun and Chuck Taylor of Billboard compared the song’s rhythm to the ones of Spears’s previous singles “…Baby One More Time” (1998) and “Sometimes” (1999). According to the digital music sheet published at Musicnotes.com, the song is composed in the key of D♭ major (but will later modulate to E♭ major at the end of the bridge) and is set in the time signature of common time with a moderate tempo of 95 beats per minute, while Spears’s vocal range spans over an octave, from A♭3 to E♭5.

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• In the United Kingdom, the song peaked at number five, and is Spears’s tenth best-selling single in the country, having sold over 225,000 copies.
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• The presence of these decks is a defining feature of the Degenerate Micro Cube — if you’re not drafting one yourself, you’d better have an answer to a turn one channelled Eldrazi Titan.
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Even a turn one Flash or Channel has a variety of potential answers, but once you have an empty library, winning with any one of these cards can only be disrupted with countermagic. Wheel of Fortune always draws your whole deck in this format, but sometimes that’s only two or three cards. With no mill as a win condition, Brain Freeze is useless, and why jump through hoops to cast a big Empty the Warrens when you could just Flash in a Worldspine Wurm instead, and use all those other cards to protect your combo? To get a high enough storm count for a lethal Tendrils, storm decks need almost all of their non-land cards to be cantrips, rituals, or key enablers like wheel effects or Yawgmoth’s Will. ” While you can definitely compose a 15 card storm deck that can reliably threaten turn one wins, drafting that deck and, more importantly, winning through disruption, proved much more challenging. I have long dreamt of a cube where storm is consistently viable and has even matchups against other draftable decks.
This environment, more than any other I’ve played, rewards familiarity with the list and knowledge of how the cards interact with one another. Games between decks drafted from the Degenerate Micro Cube are a uniquely brain-bending experience. Many people’s first inclinations are to build “the counterspell deck” or “the discard deck”, but counterspells line up poorly against fairer decks, like hate bears, and discard spells can’t stop a topdecking opponent.
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Five-color fixing lands are played in any deck with more than one color, and allow drafters to make choices about how much they want to prioritize fixing instead of just rewarding them for the luck of getting passed the right dual land. An early version of the cube included the more typical cycle of original duals, but decks are so small that they don’t really adhere to typical “two-color” models. Under these circumstances, the 15 card minimum deck size becomes a liability, and you need ways to recycle your cards or otherwise assemble some kind of inevitability. However, sometimes unstoppable combos run up against immovable disruption and the game grinds to a halt. With so much free disruption in the cube, players must assume even their tapped-out opponents have interaction and sequence their plays accordingly.
I love to play and  I get along with all the other pups in the house. I hid a few times under the Bulldog stuff table because I was getting a little overwhelmed. I’d love one who will play and snuggle with me, too. When it came time to add to their family, they decided not just one, but two Bulldogs in need would join their home.
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• The maximum amount is capped at 750%.
• By the time they realize they aren’t getting there, it’s much too late to pivot.
• Many matches are won and lost in the draft, not in the games themselves.
• Veil would sometimes be a full-on blank, and unless it is determined in the future that green needs this kind of narrow disruption to be viable, I am against running pure sideboard cards.
• With only twenty picks in the draft, I want them all to have strategic signifigance, and slamming a Lotus or Mox Sapphire is a no-brainer.
• A common beginner’s mistake is to take a combo piece early and commit to the deck, assuming that no one else will take the other half of the combo.

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In a 15 card deck, you have a 47% chance of having a given card in your opening hand, compared to a 40% chance in a 60 card deck running a full playset of the card in question, or a 17% chance in a typical, 40 card, singleton cube deck. Since my goal is to emulate powerful constructed combos, this allows singleton decks to mimic the proportions of their 60 card equivalents. With small decks and short games, those mistakes are often easier to spot. Instead of thinking about card advantage or tempo or who’s the beatdown, players must determine which cards and interactions matter in the matchup and play accordingly. In the Degenerate Micro Cube, however, that range is greatly reduced, enough so that it is almost always correct to plan in terms of specific, singular cards in yours and your opponent’s decks.
The acute impact of sideboarding has a profound effect on otherwise dead draft picks. Smaller deck size and potent, narrow answers mean that a Degenerate Micro Cube deck can be radically transformed by sideboarding. In the Degenerate Micro Cube, even more so than in typical cube, you’re always looking for a hand with a focused plan — ideally one that is advantaged against your opponent’s strategy. I make boneheaded punts at a higher frequency in this format than in any other I’ve played. Mistakes are inevitable, and they’re often more noticeable than they would be in a typical game of limited.
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Cards like Lotus Petal, Dark Ritual, and Simian Spirit Guide enable combo decks to effectively win on turn one. In defiance of some people’s assumptions, combo decks in the Degenerate Micro Cube take many forms — drafting them does not feel the least bit “on rails”. But what if there was a way to draft decks that play like constructed Vintage decks?

Playing the Degenerate Micro Cube

Late picks in a traditional cube are often useless, but in the Degenerate Micro Cube, every pick matters because cards can be easily sideboarded. Whereas sideboarding in a more typical, 40 card cube deck is more about making marginal improvements, your post sideboard deck in the Degenerate Micro Cube may employ an entirely new strategy. What’s more, you’ll see a given sideboard card in your opening hand in almost half your games. When playing against a discard heavy opponent, it may be best to mulligan to a “bad” hand that doesn’t contain your most important spells. This complexity makes the Degenerate Micro Cube less approachable and a hard sell to anyone but fairly enfranchised Magic players, and I consider it one of the cube’s biggest weaknesses.

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Your deck/inventory consists of pieces, which are scattered around a grid at the start of every turn. Well, by throwing enough soldiers, ninjas, slimes, alchemists, and hackers, of course! As with other roguelite deckbuilders, you’ll be travelling along a map, choosing which path to take to the end, fighting off increasingly tougher encounters and improving your deck bit by bit. There is some backstory if you check the Hunter Record and give the villagers items, but you don’t have to engage with it and it’s not really important in the long run. You play as a hunter who goes out on a quest for his village to kill the Demon Lord that’s eroding the land, while also bringing back resources to provide for your home. So, let’s see if I’m lucky enough to review this or if this is just a slog.
Apple TV unveils the premiere date, first look and teaser for “Lucky,” a new limited series starring and executive produced by SAG and Golden Globe Award winner Anya Taylor-Joy, premiering globally on Wednesday, July 15, 2026 To date, Apple Original films, documentaries and series have earned 691 wins and 3,256 award nominations and counting, including multi-Emmy Award-winning and history-making comedies “The Studio” and “Ted Lasso,” and Oscar Best Picture winner “CODA.” In addition to “Lucky,” Apple Originals produced by Hello Sunshine include Emmy, SAG and Critics Choice Award-winning series “The Morning Show,” starring Witherspoon and Jennifer Aniston; “The Last Thing He Told Me,” starring Jennifer Garner; “Truth Be Told,” starring Octavia Spencer; and psychological thriller “Surface,” starring Gugu Mbatha-Raw. Today, at the 2026 Apple TV Press Day, the stars and creators of “Lucky” took the stage to reveal the premiere date, teaser video and first look at the anticipated limited drama starring Golden Globe Award winner, SAG Award winner and Emmy Award nominee Anya Taylor-Joy, who also serves as executive producer. The casino also has a detailed FAQ page with answers to various common questions.
Scenes of the video are interspersed with Spears singing the song from a billboard and sitting in the middle of a giant star centerpiece, sprinkling glitter down on Lucky. The video begins with Spears telling a story about a very famous Hollywood actress named Lucky, played by Spears herself. In Germany, the song reached number one on the Media Control Charts, being certified gold by the Bundesverband Musikindustrie (BVMI) for shipping over 250,000 units of the single. In Australia, the song peaked at number three, and was later certified platinum by the Australian Recording Industry Association (ARIA), for shipments of more than 70,000 units of the single. On the week of August 28, 2000, “Lucky” debuted at number five on the UK Singles Chart, falling to number six in the following week.

In a typical limited match between two 40 card decks, even if your deck is considerably worse than your opponent’s, you can still steal a win with a bit of luck. The consistency in gameplay imparted by the small minimum deck size imbues the draft with extra importance. Fast mana is a strategic choice to speed up certain combos and interaction when necessary, but some decks would rather keep their threat and answer densities high than play a turn or two ahead of curve. With only 15 cards in your deck, each slot that’s not occupied by a win condition or piece of disruption must be carefully considered.
They passively improve your deck, with some being exclusive to lucky max certain archetypes, such as adding one Soldier piece every turn. I like that the order of pieces triggering makes sense and tries to make the most of them, and the game isn’t completely random as it does like setting up merges if possible. All you have to do is make the right choices in making your deck better, or else your enemies will outpace you. Once all your pieces have merged and activated and your opponents deal their damage, you then get to select a new piece to add to your deck.
Siding in a single card changes ~10 percent of your non-land cards, the rough equivalent of bringing in four copies of a card in constructed. Recursion cards like Elixir of Immortality or Serene Remembrance are best if they’re the last card you draw, so you’re happy to bottom them on a mull to six. If you’re playing Oath or Tinker, you may choose to mulligan a good opening seven to explicitly bottom your cheat target. Playing to your outs in the Degenerate Micro Cube means mulliganing, scrying, and playing strategically so you deploy all of your threats at the right moments and have access to your answers when you need them. Playing to your outs in normal limited often means throwing up a hail mary, making sacrifices to give yourself one extra 4% chance to draw the single card you need to win. Decks with a diverse toolbox of interaction fared best in playtesting, and drafting the right balance is a challenge.